Founding Charter — Best Southwest Film Society | DAF Incubation 2026–2028
Duncanville Arts Foundation — Cultural Investment Strategy v2.0
Founding Charter — Incubated Initiative

Best Southwest
Film Society

A Community Film Society Established Under Incubation at the Duncanville Arts Foundation
Duncanville, Texas — 2026 through 2028

Charter DateTBD, 2026
Incubation PeriodMay 1, 2026 – April 30, 2028
Governing FrameworkCIS v2.0, Effective May 1, 2026
Incubating OrganizationDuncanville Arts Foundation
Preamble

We, the founding members of the Best Southwest Film Society, establish this Charter in the conviction that film is among the most powerful instruments of shared understanding available to a community. A film watched alone is entertainment. A film watched together, followed by honest conversation, is a civic event. It surfaces what a community holds in common, challenges what it takes for granted, and gives language to experiences that might otherwise go unspoken.

Duncanville has the audience. It has the appetite. What it has lacked is a structured occasion for film to function as community rather than consumption. This Charter creates that occasion. We accept the discipline of demand validation because the case for film as a sustainable cultural investment must rest on evidence, not aspiration. We will build the audience, program the screenings, run the campaigns, and report the results. The data will speak for the community the city has not yet had a chance to measure.

I
Article OneName, Status, and Purpose
1.1 Name

The organization is named the Best Southwest Film Society, referred to in this Charter and in all CIS documentation as the Film Society or the Society.

1.2 Film as Community Infrastructure

The Best Southwest Film Society is founded on a specific premise: film is not a passive medium. When it is programmed with intention, presented in a communal setting, and followed by structured conversation, film functions as community infrastructure. It builds the shared cultural vocabulary that holds diverse communities together across difference.

The Best Southwest region, comprising Duncanville, Cedar Hill, DeSoto, and Lancaster, is one of the most ethnically and economically diverse suburban communities in North Texas. It has no dedicated film programming. Residents who seek curated cinematic experience travel to Dallas, Fort Worth, or regional film festivals in markets that do not reflect the demographics or the stories of this community. The Film Society exists to change that by creating a local venue for film that is both economically self-sustaining and meaningfully representative of the community it serves.

The Foundation recognizes the Film Society's programming as a cultural activation with dual economic impact: it retains resident entertainment spending that currently leaves the community, and it generates the substitution and attendance data needed to evaluate whether a permanent film programming venue is viable in Duncanville.

1.3 The Storytelling Mission

The Film Society programs with a consistent curatorial principle: films selected for activation must serve the community's storytelling needs. This means programming that reflects the range of human experience present in the Best Southwest, including films that represent the region's cultural diversity, films that address the experiences of working-class and suburban communities, documentary work that illuminates local and regional issues, and narrative work that invites audiences into lives meaningfully different from their own.

This curatorial standard is not a restriction on commercial viability. It is the Society's differentiation from streaming platforms and multiplex theaters that already exist. The Film Society offers what those platforms cannot: curation, context, and conversation in a community setting. That combination is the product the Society sells, and the demand for it is what the incubation period is designed to measure.

1.4 Status

The Best Southwest Film Society is an incubated initiative of the Duncanville Arts Foundation, operating under the Foundation's Cultural Investment Strategy Version 2.0, effective May 1, 2026. The Film Society is not a separately incorporated legal entity during the incubation period. It operates as an organized proposer within the Foundation's five-stage pipeline, subject to all governing provisions of the CIS and the Foundation's Bylaws.

1.5 Purpose

The Best Southwest Film Society exists to accomplish the following:

a.Present curated film screenings at Arts Junction that function as community storytelling events, generating measurable substitution evidence: Duncanville residents choosing local film programming instead of traveling to theaters, festivals, and cultural film venues in Dallas, Fort Worth, and adjacent markets.
b.Build post-screening programming, including moderated discussion, filmmaker Q&A, and community conversation, as a core component of the Film Society experience that meaningfully differentiates it from commercial film exhibition.
c.Develop the Film Society's operational, curatorial, and financial capacity through the Foundation's five-workshop curriculum, producing skills applicable to both event-based screening series and a permanent film programming venue.
d.Generate the demand evidence base needed to evaluate whether a dedicated film programming venue is viable in Duncanville, including estimated annual attendance, resident audience segment size, and price elasticity across screening formats.
e.Serve as the primary vehicle through which the Best Southwest region develops a sustained, community-rooted film culture, with the infrastructure and audience to support long-term independent programming operations.
Source: CIS v2.0, Section 1 (Purpose and Governing Principles). CIS Solvency Assessment, Section 1.1 ($6.2 million recapture target). CIS v2.0, Section 5 (Pipeline).
II
Article TwoIncubation Terms
2.1 Incubation Period

The Film Society's incubation period begins May 1, 2026, the CIS effective date, and extends through April 30, 2028. The founding meeting, at which this Charter is ratified, occurs at the Duncanville Arts Foundation, 202 W. Center Street, Suite 101, Duncanville, Texas 75116.

2.2 Foundation Resources

The Duncanville Arts Foundation provides the following resources to the Film Society during the incubation period at no cost to founding members:

ResourceDescriptionCIS Reference
Administrative Support Scheduling coordination, joint marketing, communication infrastructure, and record-keeping. Arts Junction event space provided for all validated screening activations at 202 W. Center Street. CIS v2.0, Section 5.2
Capacity Development Five-workshop curriculum delivered to the Film Society, adapted to the operational realities of community film programming. One-on-one consulting available alongside each session. All five CIS data streams collected and returned as post-activation analysis. CIS v2.0, Sections 5.2, 5.4; Appendix B; Appendix E
Screening Infrastructure Support Guidance on projection and sound requirements, film licensing and rights clearance, post-screening programming formats, audience facilitation techniques, and venue configuration for cinema-style presentation at Arts Junction. CIS v2.0, Section 5.2
Capital Development Strategy Revenue model development, sponsorship structures, grant readiness, and permanent venue financial positioning. Oriented toward building the financial infrastructure required for a sustained independent film programming operation. CIS v2.0, Section 5.5
Data Reporting CII Scorecards issued within 21 days of each activation. Quarterly Partner Reports distributed to municipal and economic development stakeholders. All five indicator data sets returned to the Film Society. CIS v2.0, Section 9.3; Appendix D
2.3 Film Society Obligations

In exchange for incubation resources, founding members accept the following obligations:

a.Participation in all five Film Society workshops in accordance with the schedule established in the Arts Junction Year 1 Calendar.
b.Completion of all workshop deliverables and portfolio requirements in accordance with the CIS Course Syllabus.
c.Compliance with 100% pre-commitment validation requirements as specified in Article V of this Charter.
d.Execution of a Data-Sharing Agreement with the Foundation as specified in Article VII, authorizing the Foundation to collect and publish aggregated attendance, substitution, and adjacent business data from all activations.
e.Participation in post-activation substitution surveys and ZIP code capture at point of admission, per Appendix C and Appendix E protocols.
f.Responsibility for all film licensing and rights clearance required for public screening of each activation's programming, completed and documented prior to the validation gate decision.
g.Compliance with all provisions of CIS v2.0 governing proposer conduct, data reporting, and activation standards.
Source: Arts Junction Year 1 Calendar. CIS v2.0, Section 5. Appendix F, Partner Agreement Templates.
III
Article ThreeMembership
3.1 Founding Members

Founding members are individuals who ratify this Charter at the founding meeting and commit to the Film Society's incubation obligations. The Film Society is established with a founding membership of three to nine individuals, reflecting the operational and curatorial leadership required to sustain a multi-activation screening series. Founding member names are recorded in Schedule A, attached to this Charter.

3.2 Eligibility

To be eligible for Film Society membership during the incubation period, an individual must satisfy all of the following criteria:

a.Reside, work, or conduct regular community activity within Duncanville or the Best Southwest region, with a demonstrated connection to and investment in the cultural life of the community.
b.Demonstrate genuine interest in film as a cultural and community medium, including familiarity with independent, documentary, and international film beyond mainstream commercial release.
c.Demonstrate capacity to contribute meaningfully to the Film Society's curatorial, operational, or community engagement functions, including but not limited to film selection, audience development, post-screening facilitation, licensing research, or financial management.
d.Accept all obligations specified in Article II, Section 2.3 of this Charter.
3.3 Admission of New Members

New members may be admitted during the incubation period upon approval by a majority vote of the Organizing Membership and concurrence of the Foundation's Founding Executive Director. Admission does not reset the incubation timeline. New members complete remaining workshop requirements on an expedited basis as determined by the Foundation.

3.4 Member Rights
a.One vote on Organizing Membership matters requiring member approval.
b.Access to all five-workshop curriculum sessions and associated one-on-one consulting.
c.Participation in curatorial decisions for each activation's film selection and post-screening programming format.
d.Receipt of CII Scorecard data and post-activation analysis from each Film Society activation.
e.Participation in graduation pathway planning upon satisfaction of multi-activation CII scoring criteria.
3.5 Member Obligations and Removal

Members who fail to fulfill the obligations specified in Article II, Section 2.3, may be removed from the Film Society by majority vote of the Organizing Membership after written notice and a 14-day cure period. Removal does not terminate the individual's relationship with the Foundation; the member may reapply as an individual proposer.

Source: CIS v2.0, Sections 5.1 and 5.2 (Intake and Develop).
IV
Article FourGovernance
4.1 Organizing Membership

The Film Society is governed during the incubation period by its Organizing Membership, consisting of all founding and admitted members. The Foundation's Founding Executive Director participates in all Organizing Membership meetings in a non-voting advisory capacity, reflecting the Foundation's accountability as incubating organization.

4.2 Officers
OfficeResponsibilities
ChairPresides over Organizing Membership meetings; serves as primary Film Society liaison to the Foundation; signs all agreements on behalf of the Society; leads curatorial direction.
Vice ChairAssumes Chair responsibilities in the Chair's absence; oversees member compliance with Charter obligations; coordinates post-screening programming and community facilitation.
TreasurerMaintains Film Society financial records; tracks admission revenue and cost reconciliation; coordinates financial reporting with Foundation staff.
SecretaryRecords minutes of all Organizing Membership meetings; maintains member roster and Schedule A; manages licensing documentation and correspondence.

Officers serve one-year terms and may be re-elected once during the incubation period. Elections are held at the founding meeting and annually thereafter.

4.3 Curatorial Committee

The Organizing Membership may establish a standing Curatorial Committee of two to four members responsible for film selection, licensing research, and post-screening programming design for each activation. The Curatorial Committee makes recommendations to the full Organizing Membership; final selection decisions require majority approval. This structure distributes curatorial labor while maintaining collective accountability for programming quality.

4.4 Meeting Schedule and Decision-Making

The Organizing Membership meets monthly during the incubation period. Meetings may be held in person at the Duncanville Arts Foundation or by video conference. A quorum requires a majority of members. Decisions are made by majority vote of members present and in quorum. Foundation concurrence is required for pipeline decisions, validation gate matters, and data-sharing agreements with third parties.

Source: CIS v2.0, Section 5. Foundation Bylaws.
V
Article FiveValidation Structure
5.1 The 100% Pre-Commitment Requirement

The Film Society operates under the CIS's governing financial discipline: 100% of projected activation costs must be pre-committed before any activation proceeds. This requirement is absolute. The Foundation makes no exceptions. Activations that do not achieve 100% pre-commitment do not proceed, regardless of partial progress, external circumstances, or member advocacy.

Film licensing fees are a fixed cost that must be accounted for in the activation budget before the validation campaign opens. Licensing agreements must be identified and costs confirmed prior to campaign launch. The Film Society may not open a validation campaign for a screening program for which licensing costs have not been established.

Validation Gate: Programs that do not achieve 100% pre-commitment at Stage 3 do not proceed to activation. Failed validation attempts are analyzed and insights are returned to the Film Society. Development support continues regardless of validation outcome. (CIS v2.0, Section 5.3)
5.2 Pre-Commitment Structure
a.Admission Revenue: Advance ticket sales covering 100% of projected activation costs at the stated admission price. Expressed interest, RSVPs, and waitlist registrations without payment do not satisfy the pre-commitment standard.
b.Sponsorship Revenue (where applicable): Documented written sponsorship commitments from businesses, donors, or institutional partners covering the designated sponsorship portion of projected costs.
c.Hybrid Formats: For programs combining admission revenue with sponsorship, each stream is tracked independently. Both must achieve their respective 100% targets for the activation to proceed.
5.3 Validation Campaign Timeline
Milestone
Activity
Foundation Action
Day 1Open
Campaign opens. Licensing confirmed. Daily commitment reporting to Foundation begins.
Confirmation to Organizing Membership. Tracking dashboard activated.
Day 15Review
Mid-campaign review. Trajectory assessed against 40% commitment threshold.
Written assessment to Organizing Membership within 48 hours.
Day 30Decision
Campaign closes. Validation decision rendered within 48 hours.
Programs at 100%: proceed to activation scheduling. Programs below threshold: analysis and insights returned.
Source: CIS v2.0, Sections 5.3 and 7.2. Appendix C, Substitution Survey.
VI
Article SixOperations and Activations
6.1 Primary Activation Format: Community Screenings

The Film Society's primary activation format is the community screening: a ticketed film event at Arts Junction with structured post-screening programming. Every activation includes a curated film, a pre-screening introduction providing context for the work, and a facilitated post-screening discussion that connects the film to themes relevant to the Best Southwest community. This three-part structure, film plus context plus conversation, is the Film Society's core product and its primary point of differentiation from commercial film exhibition.

6.2 Activation Schedule
ActivationFormatAdmissionProgramming Focus
Screening #1: Opening Night Single-film evening screening with pre-screening introduction and moderated post-screening discussion $20 General / $35 Supporter Narrative or documentary reflecting Best Southwest community themes; inaugural event establishing Film Society identity
Screening Series #1: Three Nights Three-film curated series on a shared theme, one film per evening across three consecutive or themed weeks $20 per screening / $50 series pass Thematic series format tests repeat attendance and series pass pricing; multi-film CII scoring begins
Community Documentary Night Documentary screening with filmmaker or subject Q&A; community panel discussion format $15 General / $25 Supporter Documentary format activates civic engagement dimension; Q&A format differentiates from streaming access
Screening #2: Spring Feature Repeat single-film format; multi-activation CII scoring; graduation eligibility assessed $20 General / $35 Supporter Repeat format with new curatorial selection; measures audience growth and repeat attendance patterns
6.3 Workshop Schedule
Session
Workshop
Primary Deliverable
WS1Audience
Audience Development
Audience Map identifying Best Southwest film audience segments, channel inventory, geographic targeting for ZIP codes 75116 and 75137, and a 60-day outreach plan.
WS2Pricing
Pricing Strategy
Pricing framework for single screenings, series passes, and supporter tiers; break-even analysis incorporating licensing costs; competitive positioning relative to Dallas-area film venues and streaming platforms.
WS3Pre-Sales
Pre-Sales Execution
30-day admission pre-sale campaign; sponsorship outreach strategy; series pass pre-sale campaign for multi-screening activations; licensing confirmation checklist.
WS4Production
Production Planning
Screening production checklist; Arts Junction projection and sound configuration; guest speaker and filmmaker logistics; post-screening facilitation guide; event night run-of-show.
WS5Finance
Financial Management
Revenue tracking template; licensing cost ledger; post-activation reconciliation; CII revenue reporting format; series-level and activation-level financial summaries.
6.4 Activation Standards
a.All five CIS data streams are collected at every activation: attendance, ZIP code distribution, substitution survey responses, repeat participation tracking, and adjacent business lift.
b.Film licensing rights are confirmed and documented for every activation prior to the validation campaign launch. Screenings may not proceed without verified public performance rights.
c.ZIP code capture occurs at point of admission for every activation.
d.Substitution surveys are administered to all attendees per Appendix C protocols, with a Film Society-specific supplement: "Where would you have watched this film or a similar film if this screening had not been available locally?"
e.Post-screening programming, at minimum a 20-minute facilitated discussion, is included in every activation. This component is not optional; it is the primary experiential differentiator of the Film Society format.
Source: CIS v2.0, Section 5.4 (Activate). Appendix B (Workshop Curriculum). Appendix C (Substitution Survey). Appendix E (Data Collection Protocols).
VII
Article SevenData and Measurement
7.1 Cultural Investment Index Scoring

Each Film Society activation receives a CII Scorecard issued by the Foundation within 21 days of activation. The CII scores the activation on five standard factors:

CII Formula: CII = (Pre-Commitment × 0.30) + (Resident Share × 0.25) + (Substitution × 0.20) + (Repeat × 0.15) + (Adjacent Lift × 0.10). A minimum composite score of 70 across two or more activations is the Foundation's benchmark for graduation consideration. (CIS v2.0, Sections 6.1–6.2)
7.2 Film-Specific Measurement Priorities

Within the standard CIS framework, the Film Society's measurement emphasis tracks three indicators with particular attention to the Society's storytelling mission:

Substitution Signal Entertainment Recapture

Are attendees choosing Arts Junction instead of traveling to Dallas or Fort Worth film venues? Substitution data is the primary evidence that the Film Society is retaining entertainment spending in the community.

Repeat Participation Audience Formation

Is the Film Society building a recurring audience, not merely delivering one-time attendance events? Repeat participation data indicates whether a durable film culture is forming in Duncanville.

Resident Share Community Rootedness

What percentage of the Film Society's audience lives within ZIP codes 75116 and 75137? Resident share validates that the programming is reaching the local community it is designed to serve.

7.3 Data-Sharing Agreement

Each founding member executes a Data-Sharing Agreement with the Foundation prior to the Film Society's first validation campaign, authorizing the Foundation to collect and publish aggregated attendance, substitution, ZIP code, repeat participation, and adjacent business data from all activations in non-attributable form. Individual member data is not published independently.

Source: CIS v2.0, Sections 6.1–6.2 (CII Formula). Appendix D (CII Scoring Worksheet). Appendix E (Data Collection Protocols). Appendix F (Partner Agreement Templates). CIS v2.0, Section 9.3 (Reporting).
VIII
Article EightGraduation
8.1 Graduation Criteria

The Film Society becomes a candidate for graduation from incubation upon satisfying all of the following:

a.Completion of two or more validated activations with documented 100% pre-commitment achievement on each.
b.A CII composite score of 70 or higher on each scored activation.
c.Completion of all five workshop deliverables and portfolio requirements as specified in the CIS Course Syllabus.
d.Demonstrated repeat participation growth across sequential activations, indicating a building recurring audience rather than isolated attendance events.
8.2 Graduation Pathways
PathwayDescription
Arts Junction Screening Residency Long-term programming agreement at Arts Junction with a recurring monthly or quarterly screening schedule. Appropriate if demand data supports regular programming but not a dedicated permanent venue.
Independent Film Society The Film Society incorporates independently and operates its programming outside the Foundation's incubation structure, with a retained data-sharing relationship. The Foundation supports the transition and provides the graduation CII record as documentation of demonstrated demand.
Permanent Venue Placement Facilitated placement in available Duncanville commercial or institutional space as a dedicated film programming venue. The Foundation supports lease or partnership negotiation and provides graduation data as supporting documentation for property owner or institutional partner discussions.
Regional Film Festival Development of an annual Best Southwest film festival, potentially in partnership with Cedar Hill, DeSoto, and Lancaster, using the Film Society's audience and programming infrastructure as the festival's founding base. The Foundation supports grant readiness and partner outreach for a regional collaborative model.
Source: CIS v2.0, Section 5.5 (Graduate). CIS v2.0, Section 10.2 (Permanent Placement Pathways). Greenlight Project Strategic Plan v5, Section 9.2.
IX
Article NineAmendments
9.0 Legal and Bylaws Compliance

No action taken by the Best Southwest Film Society, its Organizing Membership, its officers, or any member acting on behalf of the Society may violate any applicable federal, state, or local law or regulation, including laws governing public film exhibition and licensing. Any proposed action that would constitute or facilitate a violation of law is void and of no effect, regardless of how it was adopted or by whom it was proposed.

No action taken by the Film Society may violate the Bylaws of the Duncanville Arts Foundation. In any conflict between a provision of this Charter and the Foundation's Bylaws, the Foundation's Bylaws govern. The Foundation's Founding Executive Director holds authority to void any Film Society action that conflicts with the Foundation's Bylaws during the incubation period.

9.1 Amendment Process

This Charter may be amended by a two-thirds supermajority vote of the Organizing Membership and concurrence of the Foundation's Founding Executive Director. Proposed amendments must be circulated in writing to all members at least 14 days before the vote. No amendment may conflict with CIS v2.0, applicable law, or the Foundation's Bylaws.

9.2 CIS Updates

Amendments to CIS v2.0 made by the Foundation during the incubation period automatically apply to the Film Society. The Foundation will notify the Organizing Membership of any material CIS amendments within 30 days of adoption.

X
Article TenDissolution
10.1 Voluntary Dissolution

The Film Society may be voluntarily dissolved during the incubation period by a two-thirds supermajority vote of the Organizing Membership and concurrence of the Foundation's Founding Executive Director. Upon voluntary dissolution, any Society-level assets are transferred to the Foundation. Individual members retain their independent status in the CIS pipeline and may reapply as individual proposers.

10.2 Dissolution for Cause

The Foundation may dissolve the Film Society's incubated status for cause, including sustained failure to achieve pre-commitment validation across two consecutive validation attempts, material breach of this Charter or CIS v2.0, or loss of membership below two participating members. Dissolution for cause requires written notice with a 30-day remediation period before dissolution takes effect.

10.3 Effect on Individual Members

Dissolution of the Film Society does not terminate individual members' relationships with the Foundation. Members retain all workshop portfolio credentials, CII Scorecard data, and access to the Foundation's pipeline as individual proposers. The Foundation retains all aggregated Film Society data for inclusion in its annual report and public dashboard.

Ratification

This Charter is ratified at the Best Southwest Film Society Founding Meeting, held at the Duncanville Arts Foundation, 202 W. Center Street, Suite 101, Duncanville, Texas 75116. Ratification constitutes each signatory's agreement to all provisions of this Charter and acceptance of all obligations specified herein. By signing, each founding member authorizes the Film Society's incubation under the Duncanville Arts Foundation's Cultural Investment Strategy Version 2.0, effective May 1, 2026.

Duncanville Arts Foundation • 202 W. Center Street, Suite 101 • Duncanville, Texas 75116
Founding Member 1Authorized RepresentativeDate: ___________________
Founding Member 2Authorized RepresentativeDate: ___________________
Founding Member 3Authorized RepresentativeDate: ___________________
Founding Member 4Authorized RepresentativeDate: ___________________
Founding Member 5Authorized RepresentativeDate: ___________________
Ron ThompsonFounding Executive Director, Duncanville Arts FoundationDate: ___________________
References and Source Documentation
1Duncanville Arts Foundation. Cultural Investment Strategy, Version 2.0. Effective May 1, 2026. Governs all pipeline, validation, activation, measurement, and graduation activity during the incubation period.
2Duncanville Arts Foundation. Arts Junction Year 1 Calendar. Film Society activations scheduled within the Year 1 operational calendar at Arts Junction, 202 W. Center Street, Duncanville, Texas 75116.
3Duncanville Arts Foundation. CIS Solvency Assessment, Sections 1.1 and 4.3. $6.2 million annual recapture target (20% of estimated $31 million resident entertainment spending). U.S. Census Bureau ACS 2019–2023; BLS Consumer Expenditure Survey 2024.
4Duncanville Arts Foundation. Cultural Investment Strategy, Version 2.0, Sections 6.1–6.2. CII formula: CII = (Pre-Commitment × 0.30) + (Resident Share × 0.25) + (Substitution × 0.20) + (Repeat × 0.15) + (Adjacent Lift × 0.10). Minimum score of 70 required for graduation consideration.
5Duncanville Arts Foundation. Appendix B, Workshop Curriculum. Five-workshop sequence adapted for community film programming: Audience Development, Pricing Strategy, Pre-Sales Execution, Production Planning, Financial Management.
6Duncanville Arts Foundation. Appendix C, Substitution Survey. Standard instrument with Film Society supplement: "Where would you have watched this film or a similar film if this screening had not been available locally?"
7Duncanville Arts Foundation. Appendix E, Data Collection Protocols. Five standard CIS data streams: attendance, ZIP code distribution, substitution survey responses, repeat participation, and adjacent business lift.
8Duncanville Arts Foundation. Appendix F, Partner Agreement Templates. Data-Sharing Agreement structure governing Film Society attendance and substitution data collection and publication.
9Duncanville Arts Foundation. Appendix D, CII Scoring Worksheet. CII Scorecards issued within 21 days of each activation.
10Duncanville Arts Foundation. CIS Course Syllabus. Pipeline track certification requirements. Graduation requires CII score of 70 or above across two or more activations plus completion of all workshop portfolio deliverables.
11Greenlight Project Strategic Plan, Version 5, Section 9.2. Permanent placement pathways: Arts Junction Residency, Duncanville commercial or institutional placement, Independent establishment. Film Society adds Regional Film Festival as a fourth pathway specific to the multi-city Best Southwest context.