Field Notes
What Does a No-Show Tell Us?
Suppose 200 people reserve tickets to a free event.
Ninety-two arrive.
Now suppose 100 people buy $25 tickets to another event.
Ninety-four arrive.
In both cases, the Box Office recorded people who said they planned to come.
The door recorded something else.
The Box Office records commitment. The door records behavior.
Both numbers matter.
They should never be reported as though they are the same thing.
A ticket is not a person in the room
This sounds obvious.
But attendance numbers can become surprisingly slippery.
Tickets distributed.
Tickets reserved.
Tickets sold.
People who entered.
Those are different measurements.
Researchers studying college football attendance have identified the same problem: reported attendance can be based on tickets distributed rather than the number of people who actually enter the venue.
Their work separated reported attendance, actual scanned attendance, and ticket-holder no-shows.
The setting was sports, not the arts.
The measurement lesson still applies.
If we want to know who attended, we have to count attendance.
Interest, reservation, purchase, and attendance are different behaviors
The Cultural Interest Study is built around movement from what people say toward what people actually do.
A no-show gives us another reason to keep those behaviors separate.
Reservation.
Purchase.
Attendance.
Repeat purchase.
Each step asks something different of the participant.
Someone may say an exhibition sounds interesting.
Someone else may reserve a free ticket.
Another person may spend $25.
Another may actually arrive.
Another may come back next month and buy again.
Every additional action gives us a different kind of evidence.
A reservation tells us something
A free reservation is not meaningless.
The person saw the offer.
They understood enough about it to act.
They gave us information and indicated an intention to attend.
That is more evidence than simply clicking “like” on a social media post.
But it is less evidence than arriving.
A reservation is evidence of intent. Attendance is evidence that the intent became behavior.
A purchase tells us something else
A paid ticket adds another piece of evidence.
The buyer accepted a price.
If someone pays $25 and later does not attend, the $25 transaction still happened.
We still learned that the buyer was willing to purchase the offer at that price.
What we did not get was attendance.
Those findings should remain separate.
Purchase:
The customer accepted the price and completed the transaction.
Attendance:
The ticket was actually used for entry.
A paid no-show can therefore produce revenue without producing an attendee.
A free no-show is different
Now consider the free reservation.
Someone claims a ticket and does not come.
No admission revenue was created.
No attendance occurred.
But there was still an expression of intent.
Again, that is evidence.
It is simply weaker evidence of demand than a completed paid transaction and different evidence from actual attendance.
A free no-show tells us someone intended to come. It does not tell us that they came or that they would have paid.
The show rate gives us another useful number
We can measure the relationship between tickets acquired and actual attendance.
A simple show rate is:
Attendees ÷ Tickets acquired
Show RateReturn to our first example.
Two hundred free tickets were reserved.
Ninety-two were used.
The show rate was 46 percent.
In the second example, 100 paid tickets were sold and 94 were used.
The show rate was 94 percent.
Those are dramatically different observations.
They are not, by themselves, explanations.
Do not explain the difference too quickly
It would be tempting to conclude that paying for a ticket caused people to attend.
Maybe payment mattered.
But there may be other differences.
The events may have attracted different audiences.
One may have happened on a better day.
One may have been easier to reach.
Tickets may have been acquired at different times.
Weather may have changed.
One program may simply have been more compelling.
We should observe the difference before deciding what caused it.
A no-show rate is a finding. The reason for the no-show rate requires more evidence.
Outside event data show why the distinction matters
No-show behavior is not unique to arts events.
A 2026 analysis by event-management platform PheedLoop compared registration and check-in data across a large group of live events.
The median event lost roughly one in five expected attendees to no-shows.
Free events in that dataset had higher median no-show rates than paid events.
That is not an arts-specific benchmark.
It is not a Duncanville benchmark.
We should not import those percentages and assume our audiences will behave the same way.
The useful lesson is simpler.
Registration counts and attendance counts can be meaningfully different.
Our own history should eventually give us the better benchmark.
A no-show can distort capacity
Imagine a room holds 100 people.
All 100 free tickets are reserved.
The Box Office says the event is full.
We stop taking reservations.
Twenty-five people who wanted tickets cannot get them.
Then only 60 of the 100 ticket holders arrive.
Forty seats sit empty.
The event was sold out on paper and under capacity in the room.
That affects more than appearances.
Capacity planning.
Staffing.
Materials.
Food and beverage.
Artist expectations.
Sponsor expectations.
The quality of the research itself.
A no-show can hide unmet demand
The empty seat creates another problem.
Someone else may have wanted it.
If a free event reaches capacity in the Box Office but has a high no-show rate, we may underestimate the number of people who actually wanted to attend.
Some people may have been unable to reserve because the event appeared full.
That is why waitlists can be useful.
A waitlist gives us another observable behavior.
It tells us that demand continued after available tickets were claimed.
A full reservation list does not necessarily mean a full room, and an empty seat does not necessarily mean nobody else wanted it.
We should know when the ticket was acquired
Timing may matter, too.
Someone who reserves a free ticket six weeks before an event may have a different path to attendance than someone who reserves the morning of the event.
The same can be true for paid tickets.
We should not assume which group will attend at a higher rate.
We can measure it.
The Box Office can give us the transaction date.
Check-in gives us attendance.
Over time, we may begin to see whether the length of time between acquisition and event day is associated with different show rates.
First-time and returning customers may behave differently
The same question can be asked about customer history.
Do first-time buyers attend at the same rate as returning buyers?
Do people who have attended three previous programs behave differently from people trying us for the first time?
We do not know yet.
That makes it a research question.
If repeat customers consistently show up at higher rates, that may tell us something about the strength of the relationship.
If they do not, we should know that, too.
A no-show can still be a customer
This is another reason the categories matter.
A person buys a $30 ticket.
They get sick and stay home.
They are a no-show.
They are also a paying customer.
If they buy again next month, their first no-show should not erase the purchase that happened.
The study should preserve both facts.
They purchased.
They did not attend.
They later purchased again.
That sequence tells us more than labeling the first event simply a missed attendance.
Revenue and attendance should never be substituted for each other
Suppose 100 tickets are sold at $25.
Revenue is $2,500.
Seventy-five people attend.
We should report:
Tickets sold: 100
Ticket revenue: $2,500
Attendance: 75
Show rate: 75%
None of those numbers needs to impersonate another.
Tickets sold ≠ attendance. Reservations ≠ attendance. Revenue ≠ attendance.
The same discipline applies to free events
Suppose 200 free tickets are reserved.
Ninety-two people arrive.
We should report:
Reservations: 200
Admission revenue: $0
Attendance: 92
Show rate: 46%
That gives us a much more accurate picture than announcing that 200 people “participated.”
They did not.
Two hundred people reserved.
Ninety-two attended.
The distinction is the finding.
We should track the gap
For every ticketed activation, the Cultural Interest Study should be able to record:
How many tickets were available?
How many were reserved or sold?
How many were paid?
How much ticket revenue was generated?
How many ticket holders actually attended?
What was the show rate?
How many people were on a waitlist?
When were tickets acquired?
Were attendees first-time or returning customers?
Did no-shows purchase or attend something later?
Over time, those numbers may reveal patterns that a simple attendance total cannot.
We may eventually predict attendance better
Imagine the Foundation produces ten free events.
We discover that the average show rate is 65 percent.
Then we produce ten paid events and observe a different pattern.
With enough repeated local evidence, we may become better at forecasting how many people will actually arrive.
That could help us plan:
Seating.
Materials.
Staffing.
Food.
Artist expectations.
Waitlists.
Future ticket quantities.
But our own data should drive those decisions.
Industry averages can give us questions.
Duncanville behavior should give us answers.
The no-show is not necessarily failure
People miss events.
Plans change.
People get sick.
Work runs late.
Weather changes.
Families need attention.
Sometimes we may know why someone did not attend.
Often we will not.
The study does not need to turn every empty seat into a judgment about the customer.
We are measuring behavior, not assigning blame.
Do not collapse the funnel
The Cultural Interest Study began with a simple distinction.
What people say they like is different from what they will buy.
Now the chain has become more precise.
Reservation.
Purchase.
Attendance.
Spending.
Repeat demand.
A person can stop at any point.
Each transition tells us something.
If we collapse all of those steps into a single number called “participation,” we lose much of the information the study is designed to collect.
The gaps between behaviors may be as useful as the behaviors themselves.
Interest tells us someone considered it.
A reservation tells us they intended to come.
A purchase tells us they accepted a price.
Attendance tells us they actually arrived.
Do not collapse four different behaviors into one number.
Subscribe to Ron Thompson’s Field Notes
Occasional notes on art, culture, creative economies, and the work of building cultural capacity from the ground up.
Subscribe to Field NotesBy sending the subscription request, you agree to receive Ron Thompson’s Field Notes by email. Your email address will be used to manage and deliver your subscription and will not be sold. You may unsubscribe at any time by replying “unsubscribe.”
Sources
National Endowment for the Arts. “Defining Interested Non-Attendance and the Barriers to Attendance.” Arts Data Profile Series.
National Endowment for the Arts. Arts Participation Patterns in 2022: Highlights from the Survey of Public Participation in the Arts.
Popp, Nels, Jason Simmons, Stephen L. Shapiro, and Nick Watanabe. “Predicting Ticket Holder No-Shows: Examining Differences between Reported and Actual Attendance at College Football Games.” Sport Marketing Quarterly, vol. 32, no. 1, 2023.
PheedLoop. “Event Data Lab Report #05: One in Five Registered Attendees Won’t Show Up.” 29 Apr. 2026.
PheedLoop. “Event Data Lab Report #06: Does Easier Registration Lead to More No-Shows?” 2026.

